Sunday, March 6, 2016

REVIEW: SOME RAIN MUST FALL



OK, I might as well admit it. I am a Karl Ove Knausgaard fan. But am I a groupie? Well, I did go to Toronto to hear him talk at the International Festival of Authors last year. And I did stay afterwards to say how much I liked his books (no book signing though). He is as dark and ruggedly handsome in person as in his photos. His eldest daughter was there, long blond hair. I feel I know the whole family.

I have read all the English translations of My Struggle to date and loved each one. Volume 5 chronicles Knausgaard’s years in Bergen, Norway; arriving at nineteen, a neophyte at the Writer’s Academy, through his time at university, his friends and especially his girlfriends, various jobs, leading finally to his hard won debut as a writer. The Dylanesque title vividly references rain-slogged Bergen and also the self-inflicted gaffes and betrayals perpetrated on those for whom he cares most.

Having plodded through a full volume of adolescent self-indulgence in Dancing in the Dark (Volume 4), one of my friends, a devotee of the first three books, threw that one across the room – enough of this male adolescent bullshit! No, not quite I am afraid, there is still more as Karl Ove takes his lonely and tentative steps towards adulthood. Progressing through Volume 5, the male reader cannot but be moved, remembering our own self-destructive and tormented youth, fueled by alcohol as both enabler and disruptor. How interminable that period seemed!

Knausgaard’s unique talent is to bring the reader into the precise moment and being of his character. He is nothing if not brutally honest. No doubt this is one of the series' most beguiling aspects. And yet some novelistic discrepancies begin to appear. The powerful episode in A Death in the Family (Volume 1), when Karl Ove and his brother, Yngve, are obliged to clean their dead father’s rubbish filled and bottle strewn quarters, is retold here, but with Yngve strangely missing, arriving with his family only on the day of the funeral. And did Karl Ove really cut his face in a humiliated, drunken stupor twice – once over his first girlfriend, “Gunvor,” and again, as depicted in A Man in Love (Volume 2) after rejection by Linda, his second wife to be? These minor inconsistencies remind us that we are dealing with a work of fiction. Yet some of the most satisfying segments of this book are those when the readers’ questions about Tonje, his first wife, whose absent presence lurks throughout prior volumes, are finally answered.

The man that emerges from this long autobiographical novel is one tortured by insecurity and self-doubt, while imbued with high ambition. Despite its provocative allusions, My Struggle is an apt title for Knausgaard’s journey, both literary and human. Completely self-absorbed, racked with shame and guilt, it is only through writing that the author seems able to cleanse himself from all the “shit” of his early life, so graphically portrayed in Boyhood Island (Volume 3). Volume 5 ends with his escape from Bergen, rejecting once again his present life, heading alone towards Sweden and the future.


- Brian

Sunday, February 28, 2016

Q&A: YANN MARTEL



Best known for one of the best known Canadian novels ever published, Yann Martel will be in Guelph at Lakeside Hope House Tuesday, March 29th from 7pm to promote his new novel, The High Mountains of Portugal. Meeting briefly on a narrow pass in the High Mountains of the Internet, we chatted about Portugal, walking backwards, autopsies, bodies, home, animals, and Justin Trudeau.

- Brad de Roo, who would walk backwards more if he didn’t look so forward to reading the next book

Unsurprisingly, Portugal is central to The High Mountains of Portugal. Why Portugal? What about this place calls for these stories?

Portugal was the first country I visited on my own, as a 20 year-old backpacker. I travelled from the south to the north. It made a deep impression on me, seeing a foreign country in solitude. That’s the personal connection. But the real reason I set my novel in Portugal is that curiously named region called Trás-os-montes, beyond or behind the mountains—but there are no mountains. Upon discovering this, I realized how geography is an act of storytelling, how in naming a region we are starting to weave a story about it, and in this case, it’s the story of a preoccupation with something beyond mountains that don’t even exist. Hence the mountains in my novel that also don’t exist. The High Mountains of Portugal are imaginary mountains, magic mountains, mountains in the mind.

Walking backwards is a motif throughout the book (especially in ‘Part One: Homeless’). Characters seem to move this way out of protest and/or mourning. Is being a writer ever like being seen to be walking through the world backwards?

Absolutely. I believe there is a contrarian duty to writing. The writer must write in opposition to prevailing thinking and opinions. To object is sometimes to clarify, and that is the purpose of writing, to bring clarity.

In ‘Part Two: Homeward’, Agatha Christie superfan and pathologist Eusebio Lozora's performance of an autopsy is compared to telling a story. Is the opposite true as well, is storytelling – the cuts, the sewing up, the scars, the microscopic bent, the characteristic telos – autopsy-like?

That’s a great insight. I can only agree: yes, there is an autopsy-like quality to writing. The pen is a scalpel that seeks to open up the body of life and determine its truths and falsehoods.

Animals appear continually in the imagery (not to mention as central characters) of your books.
‘Part Three: Home’ relates the story of Canadian Senator Peter Tovy immigrating with the ape Odo to The High Mountains of Portugal. Why do animals keep becoming central to our stories?

Because they share our planet. Because they are there with us in our central myths—Genesis, the Garden of Eden, Noah’s Ark, Darwin’s theory of evolution. Because, like gods, they are in need of explanation and exegesis. Because, like gods, they are bearers of ineffable mystery. Because we’re killing them all off.

The body (animal & human) is described in great detail throughout The High Mountains of Portugal. Are our bodies stories that we tell ourselves? Are they allegories? If so, allegories of what?

Our bodies certainly shape our lives. In my first novel, Self, I explored the idea that our bodies are an environment that predispose us to certain behaviors, certain ways of being, certain tendencies. In that sense, our bodies will determine some of our stories. As for the body as an allegory, the first one that comes to my mind is the body as magic carpet that flies through the air, transporting us from one wonder to another—until it flops away, inanimate, and we fall….

The High Mountains of Portugal is structured around a conception of home. What about home appeals as a conceit?

Its centrality to our well-being, to our sense of belonging and identity. Homelessness, the literal kind, where we have no four walls to hug us, is just another expression of our mortality.

You once compiled a list (and then a book) of books that Stephen Harper ought to read. I am not sure he read any of them. Justin Trudeau strikes me as someone who might have reading suggestions for all of us. What 4 or 5 books should he read to avoid Harper's mistakes?


He’s probably already read those four, five books, since he’s already avoiding Harper’s mistakes by virtue of being open, gregarious, and kinder in thought and behavior.




Tomás, the central character of ‘Part 1: Homeless’, takes a 1904 Renault on the road in search of metaphysical treasure. Did you (even briefly?) consider undertaking a variation (ie same car, different locales, personal treasure) of his trip for your book tour?


Funny. But no. Homer didn't–I don’t suppose–dress up when he delivered the Iliad to his audiences. He just recited it. Same with me. I dress dully, I just stand and speak when I deliver my stories. It’s the reader who must take on a variation of Tomás’s tour. That’s where the metaphysical treasure is to be found.

What’s next?

Nothing literary for a while. I work on one project at a time, and right now I haven’t a single story idea in my head. But I want to work on my four children, who are kind of like four little Russian novels. 


Sunday, January 31, 2016

Q&A: THERESA MULLIN & EMILY COLLEY-DIVJAK of The Guelph Night Market




The Guelph Night Market brings its second pop-up market to the eBar Wednesday February 10th from 7pm to 12am ($2 admission). Vintage clothing pickers, artists, screen printers, foodies, writers, record collectors, button makers, zinesters, thrifters, letterpress enthusiasts, antique lovers, upcyclers, knickknack hoarders, book binders, embroiderers, potters, comic book creators, and more will be vending and spending with drinks in crafty hands. In advance of their Winter Night Market, I talked local shop with Market makers Theresa Mullin & Emily Colley-Divjak.

- Brad de Roo, who will probably be working late in the Bookstore on the 10th to showcase some local publishers and presses among our busy shelves 

 
How did the Night Market originate? What brought about its creation?

In the past, we’ve always worked well together. Throughout our ten year friendship we’ve always schemed; collecting American coins to get us across the States in the old Tercel or drawing up business proposals for our dream cafe.

After moving back to Guelph, the two of us were seeking the perfect project since we were reunited in the same little city. Our number one goal, besides working together, was to enable our hard working pals in their efforts to do what they love... while paying the rent.

Have you been surprised with how it has been received so far?

Holy moly...yes! When we rented the Making Box space for our first market in October, we were crossing our fingers we’d break even. Looking out the window on the night of, our hearts nearly exploded; there was a line of umbrellas all the way to Quebec Street. Our attendance was over eight hundred and we couldn’t have felt more connected to our city.

How do you choose vendors? What are some of the stipulations, frustrations, challenges, joys of choosing?

Choosing vendors is an overwhelming and awesome task that we feel privileged with. When people enter the market space we want them to feel excited. It’s easy to become enamored with online folks who create cool stuff and we’re by no means against this method of sharing, but there is something truly special about connecting directly. We aim to bring together a collection of vendors that will ignite the same feeling that we get while reading their application. A huge challenge for us is space… it’s limited downtown. Capacity and accessibility are important to us, but it has been hard to find landlords who will take us and this puts a damper on the amount of tables we’re able to house.

What does the Night Market offer that other shopping experiences do not?

Shopping at the Night Market is different because it provides you with an opportunity for more than one meaningful connection with vendors. We try our best to provide a warm and inviting environment that lands between farmers' market and thrift shop; somewhere anyone can go and find something with a story.

How will the Night Market at the eBar differ from past markets?

Our pop-up style is on purpose, being in a different space each market is exciting. Making new connections with local businesses makes us feel more grounded in our community. With the bookstore-bar-restaurant combo, the space is unconventional for an event like ours. Having the ability to “take over” for a night keeps it interesting for us, and hopefully that feeling extends to vendors and folks attending. The eBar/Bookshelf has been amazing to partner with - the space is a Guelph institution. We’re really looking forward to the event.

What about handcrafted objects speaks to you?

Creating, collecting and curating are extremely personal acts. We think the vulnerability behind sharing those things is extremely important and beautiful.

We’re suckers for the connection between things and stories that inspire and challenge us.

What are your future plans for the Market?

Our main focus at the moment is to keep our momentum rolling and keep the community engaged in what we’re doing. Our future goals are to run the Night Market seasonally and hopefully in larger, more accessible venues within the downtown core.

Do you have any dream vendors?

We both have so many art crushes, it would be hard to list all of our existing dream vendors. A cool thing happened this time however, when group of U of G Studio Art students collaborated so that they could table. SADSATURDAZE became an instant dream vendor, with their weirdo assortment of buttons, prints, zines and patches that re-interpret the everyday mundane in a humorous way. We love this.

Do you have any advice or market wisdom you like to share with new event organizers?


Advice from us two goofs? Lol. Organization, curation and a clear concept of what we want to accomplish have been key to our market planning. Keeping true to our values has kept straight & narrow, and led us to amazing opportunities like our sponsorship from the Stone Store (yay local businesses!).

What would you never sell?


Drugs.

Anything else we should know?

Ya, we’re still new to this and we’re working out the kinks. Also! Thank you Guelph for all of your support, it means a lot. Also!! We need help finding spaces in the downtown area. Please please email us if you have an available space at guelphnightmarket@gmail.com.

Sunday, January 17, 2016

MOUNTAIN CITY GIRLS: ANNA AND JANE MCGARRIGLE




Hillside Inside and the Eden Mills Writers’ Festival
present

Anna and Jane McGarrigle

Authors of Mountain City Girls: The McGarrigle Family Album

Saturday, January 30, 3 pm (doors open at 2:30 pm)
St. George’s Church, Sanctuary, 99 Woolwich Street

Reading followed by a Q&A, book-signing and fan photo opportunity

Tickets: $12 + HST from the Bookshelf and ticketbreak.com

A Guelph Fab5 Festival co-presentation supported by the Ontario Trillium Foundation


Mountain City Girls, written by Anna and Jane McGarrigle - sisters to Kate McGarrigle - is a charming and intimate family memoir. The folk music duo of Anna and Kate McGarrigle produced some of the most memorable music to come out of the North American folk scene in the past 35 years. They are fondly remembered by their devoted fans as brilliant, insightful songwriters with incredibly luminous voices. Their sister Jane managed her younger sisters’ music careers from the late 1970s to the mid-1990s. During this time she co-wrote several songs with the duo and performed with them in the studio and on tours of Canada, the United States, Europe and Australia.

Interspersed with lyrics and photos, Mountain City Girls captures the McGarrigles' lives, idiosyncratic upbringing, and literary and musical influences. No one can tell the story of the McGarrigles better than Anna and Jane, or in such an affectionate and captivating way.


Sunday, January 10, 2016

LET'S EAT!



Heraclitus told us centuries ago that there is nothing permanent except change. In that spirit we are excited to announce the next step in our ongoing collaboration with Miijidaa, the restaurant adjacent to The Bookshelf.

Beginning Tuesday January 12, Dinner and a Movie will prepared by the Miijidaa kitchen and made available both in our 2nd floor eBar bistro and downstairs at Miijidaa. Have a look at the Miijidaa menu HERE.

Seating in the eBar bistro is available Tuesday to Saturday. To book a table in our bistro, please call (519) 821 3311 (ext 5)

To book a table in the Miijidaa dining room, please call (519) 821 9271 (ext 2)

We are looking forward to great movies over the next months, so… Let’s Eat!

Monday, January 4, 2016

PAINTED LAND: IN SEARCH OF THE GROUP OF SEVEN




As I am writing this there is a bright blue sunny sky and it’s cold out. But let’s face it, the last two months in Guelph have been pretty grey and gloomy. That’s why if you see Painted Land your spirits will be lifted and your hearts warmed. In this documentary, back by popular request, outdoor lovers Joanie and Gary McGuffin, along with art historian Michael Burtch go in search of the exact location where many Group of Seven artists painted some of their stunning landscapes. Archival footage, photographs and voice over from letters are sewn in so expertly you feel you are in history. 


Such a joy to see Lawren Harris, JEH Macdonald, AY Jackson, Frank Johnston, Arthur Lismer, Frank Carmichael and AJ Casson travel the box car to Algoma. The real scenery is so beautiful and it’s incredibly exciting when the art lovers actually find the exact spot where the scene for each painting has been been taken in and recreated on canvas. But here’s what amazed me: a full bright screen with a Tom Thomson painting is so inordinately beautiful that you will understand why art is so important! Yes, nature is spectacular but sometimes art takes every bit of its beauty and intensifies it.

Painted Land is back for a second run beginning Saturday January 9 at 2 p.m.


- Barb

Thursday, December 3, 2015

The Village Podcast Vol. 3

Welcome back listeners! Thanks for all your great comments on our first two episodes. We'd love it if you'd share us with the world. Please head to our iTunes page and rate and review us. It would be great if you subscribed to us, but we know not all of you use iTunes for listening, so load up our RSS feed into your favourite podcatcher and never miss an episode.

It's December now and there's no getting away from the seasonal cheer and holiday shopping so we face it head on.

We share some of our December traditions, their favourite seasonal music and movies. And because we can't play it in the episode, head to YouTube and have a listen and watch of Chris de Burgh playing A Spaceman Came a Travelling. The Rankin and Bass animated collection of films get their annual mention, along with other classics like Die Hard, Home Alone and It's a Wonderful Life.

We also cover a few board games which would make nice gifts for groups of friends or family to play while visiting, including Angry Birds, Crib Wars, Pandemic, Anomia and Catan.

Which leads us to writing in books, whether they are meant to be written in, like The 52 Lists, or Wreck This Journal, or not, like that new hardcover book you received as a gift from your grandmother. Do you do it?
 
You've gotten this far in listening, or at least in reading, so now I can tell you that we have two gift certificates to give away this month. We have one $25 gift certificate to The Bookshelf and one $25 gift certificate to Miijida. We will draw two winners from the entries.

And to enter all you need to do is head to our iTunes page and give us a rating and review! Then grab a screenshot of that baby and email us at podcast@bookshelf.ca and let us know your name and phone number.
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Theme music from the Free Music Archive, by The Underscore Orkestra